lunes, 29 de marzo de 2010

La Tregua - Mario Benedetti

“¿Usted ve alguna salida?

Lo que es yo, por mi parte, no la veo.

Hay gente que entiende lo que está pasando, pero se limitan a lamentarlo. Falta pasión, ese es el secreto de este gran globo democrático en que nos hemos convertido. Durante varios lustros hemos sido serenos, objetivos, pero la objetividad es inofensiva, no sirve para cambiar el mundo, ni siquiera para cambiar un país de bolsillo como éste. Hace falta pasión, y pasión gritada, o pensada a los gritos, o escrita a los gritos. Hay que gritarle en el oído a la gente, ya que su aparente sordera es una especie de autodefensa, de cobarde y malsana autodefensa. Hay que lograr que se despierte en los demás la verguenza de sí mismos, que se sustituya en ellos la autodefensa por el autoasco. El día que sientas asco de tu propia pasividad, ese día te convertirás en algo útil.”


“LA TREGUA”
(Montevideo - 1960)
.
.
.

viernes, 26 de marzo de 2010

Quién es tu mamá?

Mamá es esa señora que lleva en el bolso un pañuelo con mis mocos, un paquete de toallitas, un chupete y un pañal de emergencia.

Mamá es ese cohete tan rápido que va por casa disparado y que está en todas partes al mismo tiempo.

Mamá es esa malabarista que pone lavadoras con el abrigo puesto mientras le abre la puerta al gato con la otra, sosteniendo el correo con la barbilla y apartándome del cubo de basura con el pie.

Mamá es esa maga que puede hacer desaparecer lágrimas con un beso.

Mamá es esa forzuda capaz de coger en un solo brazo mis 15 kilos mientras con el otro entra el carro lleno de compra.

Mamá es esa campeona de atletismo capaz de llegar en décimas de segundo de 0 a 100 para evitar que me descuerne por las escaleras.

Mamá es esa heroína que vence siempre a mis pesadillas con una caricia.

Mamá es esa señora con el pelo de dos colores, que dice que en cuanto tenga otro huequito, sólo otro, va a la pelu.

Mamá es ese cuenta cuentos que lee e inventa las historias más divertidas sólo para mí.

Mamá es esa cheff que es capaz de hacerme una cena riquísima con dos tonterías que quedaban en la nevera porque se le olvidó comprar, aunque se quede ella sin cena.

Mamá es ese médico que sabe con sólo mirarme si tengo fiebre, cuánta, y lo que tiene que hacer.

Mamá es esa economista capaz de ponerse la ropa de hace cientos de años para que yo vaya bien guapo.

Mamá es esa cantante que todas las noches canta la canción más dulce mientras me acuna un ratito.

Mamá es esa payasa que hace que me tronche de risa con solo mover la cara.

Mamá es esa sonámbula que puede levantarse dormida a las 4 de la mañana, mirar si me he hecho pis, cambiarme el pañal, darme jarabe para la tos, un poco de agua, ponerme el chupete, todo a oscuras y sin despertarse.

¿La ves? Es aquélla, la más guapa, la que sonríe.

domingo, 21 de marzo de 2010

Excelente excusa

Un empresario vuelve de su oficina en la tarde y - en medio de un gran aguacero - ve a una bella mujer en la parada de autobuses. Se acerca y detiene su automóvil :

- "Llueve a cántaros... ¿La llevo?"

- "Ah, bueno, gracias" - responde ella, entrando al auto. Llegando al edificio donde ella vive, lo invita a entrar:

- "No quiere Ud. tomarse un cafecito, un whisky, alguna cosita que le invite, con este frío?"

- "No, gracias, debo llegar temprano a casa."

- "Pero, ha sido usted tan gentil, suba siquiera un ratito."

Él sube ante la petición de la damita. Cuando entran, ella le sirve un buen coñac y luego va a su dormitorio, del que retorna arreglada y perfumada, dejando entrever un cuerpo bellísimo bajo una sugestiva bata. Beben algunos tragos, oyen música, charlan, ríen, entran en confianza, y - como debía ocurrir - se van a la cama y hacen sexo con especial entrega.

A las 6 de la siguiente mañana, él despierta preocupadísimo:

- "Pucha, que animal, me quedé dormido... y ahora qué hago?"

Medita, toma el teléfono, marca el número de su casa y tan pronto le responde su mujer, grita :

- MARCELA, NO PAGUES EL RESCATE !! ... HE LOGRADO ESCAPAR!!




martes, 9 de marzo de 2010

Robert Fisk: Living proof of the Armenian genocide

Living proof of the Armenian genocide
Robert Fisk


The US wants to deny that Turkey's slaughter of 1.5 million Armenians in 1915 was genocide. But the evidence is there, in a hilltop orphanage near Beirut
Tuesday, 9 March 2010
 
 
The unmarked grave at Antoura for the bones that were found there in 1993


It's only a small grave, a rectangle of cheap concrete marking it out, blessed by a flourish of wild yellow lilies. Inside are the powdered bones and skulls and bits of femur of up to 300 children, Armenian orphans of the great 1915 genocide who died of cholera and starvation as the Turkish authorities tried to "Turkify" them in a converted Catholic college high above Beirut. But for once, it is the almost unknown story of the surviving 1,200 children – between three and 15 years old – who lived in the crowded dormitory of this ironically beautiful cut-stone school that proves that the Turks did indeed commit genocide against the Armenians in 1915.

Barack Obama and his pliant Secretary of State, Hillary Clinton – who are now campaigning so pitifully to prevent the US Congress acknowledging that the Ottoman Turkish massacre of 1.5 million Armenians was a genocide – should come here to this Lebanese hilltop village and hang their heads in shame. For this is a tragic, appalling tale of brutality against small and defenceless children whose families had already been murdered by Turkish forces at the height of the First World War, some of whom were to recall how they were forced to grind up and eat the skeletons of their dead fellow child orphans in order to survive starvation.

Jemal Pasha, one of the architects of the 1915 genocide, and – alas – Turkey's first feminist, Halide Edip Adivar, helped to run this orphanage of terror in which Armenian children were systematically deprived of their Armenian identity and given new Turkish names, forced to become Muslims and beaten savagely if they were heard to speak Armenian. The Antoura Lazarist college priests have recorded how its original Lazarist teachers were expelled by the Turks and how Jemal Pasha presented himself at the front door with his German bodyguard after a muezzin began calling for Muslim prayers once the statue of the Virgin Mary had been taken from the belfry.

Hitherto, the argument that Armenians suffered a genocide has rested on the deliberate nature of the slaughter. But Article II of the 1951 UN Convention on the Prevention and Punishment of the Crime of Genocide specifically states that the definition of genocide – "to destroy in whole or in part, a national, ethnical, racial or religious group" – includes "forcibly transferring children of the group to another group". This is exactly what the Turks did in Lebanon. Photographs still exist of hundreds of near-naked Armenian children performing physical exercises in the college grounds. One even shows Jemal Pasha standing on the steps in 1916, next to the young and beautiful Halide Adivar who – after some reluctance – agreed to run the orphanage.

Halide Edip Adovar, the Turkish feminist who ran the orphanage


Before he died in 1989, Karnig Panian – who was six years old when he arrived at Antoura in 1916 – recorded in Armenian how his own name was changed and how he was given a number, 551, as his identity. "At every sunset in the presence of over 1,000 orphans, when the Turkish flag was lowered, 'Long Live General Pasha!' was recited. That was the first part of the ceremony. Then it was time for punishment for the wrongdoers of the day. They beat us with the falakha [a rod used to beat the soles of the feet], and the top-rank punishment was for speaking Armenian."

Panian described how, after cruel treatment or through physical weakness, many children died. They were buried behind the old college chapel. "At night, the jackals and wild dogs would dig them up and throw their bones here and there ... at night, kids would run out to the nearby forest to get apples or any fruits they could find – and their feet would hit bones. They would take these bones back to their rooms and secretly grind them to make soup, or mix them with grain so they could eat them as there was not enough food at the orphanage. They were eating the bones of their dead friends."

Using college records, Emile Joppin, the head priest at the Lazarite Antoura college, wrote in the school's magazine in 1947 that "the Armenian orphans were Islamicised, circumcised and given new Arab or Turkish names. Their new names always kept the initials of the names in which they were baptised. Thus Haroutioun Nadjarian was given the name Hamed Nazih, Boghos Merdanian became Bekir Mohamed, to Sarkis Safarian was given the name Safouad Sulieman."

Lebanese-born Armenian-American electrical engineer Missak Kelechian researches Armenian history as a hobby and hunted down a privately printed and very rare 1918 report by an American Red Cross officer, Major Stephen Trowbridge, who arrived at the Antoura college after its liberation by British and French troops and who spoke to the surviving orphans. His much earlier account entirely supports that of Father Joppin's 1949 research.

"Every vestige, and as far as possible every memory, of the children's Armenian or Kurdish origin was to be done away with. Turkish names were assigned and the children were compelled to undergo the rites prescribed by Islamic law and tradition ... Not a word of Armenian or Kurdish was allowed. The teachers and overseers were carefully trained to impress Turkish ideas and customs upon the lives of the children and to catechize [sic] them regularly on ... the prestige of the Turkish race."

Halide Adivar, later to be lauded by The New York Times as "the Turkish Joan of Arc" – a description that Armenians obviously questioned – was born in Constantinople in 1884 and attended an American college in the Ottoman capital. She was twice married and wrote nine novels – even Trowbridge was to admit that she was "a lady of remarkable literary ability" – and served as a woman officer in Mustafa Ataturk's Turkish army of liberation after the First World War. She later lived in both Britain and France.

And it was Kelechian yet again who found Adivar's long-forgotten and self-serving memoirs, published in New York in 1926, in which she recalls how Jemal Pasha, commander of the Turkish 4th Army in Damascus, toured Antoura orphanage with her. "I said: 'You have been as good to Armenians as it is possible to be in these hard days. Why do you allow Armenian children to be called by Moslim [sic] names? It looks like turning the Armenians into Moslims, and history some day will revenge it on the coming generation of Turks.' 'You are an idealist,' he answered gravely and like all idealists lack a sense of reality ... This is a Moslem orphanage and only Moslem orphans are allowed.'" According to Adivar, Jemal Pasha said that he "cannot bear to see them die in the streets" and promised they would go "back to their people" after the war.

Adivar says she told the general that: "I will never have anything to do with such an orphanage" but claims that Jemal Pasha replied: "You will if you see them in misery and suffering, you will go to them and not think for a moment about their names and religion." Which is exactly what she did.

Later in the war, however, Adivar spoke to Talaat Pasha, the architect of the 20th century's first holocaust, and recalled how he almost lost his temper when discussing the Armenian "deportations" (as she put it), saying: "Look here, Halide ... I have a heart as good as yours, and it keeps me awake at night to think of the human suffering. But that is a personal thing, and I am here on this earth to think of my people and not of my sensibilities ... There was an equal number of Turks and Moslems massacred during the [1912] Balkan war, yet the world kept a criminal silence. I have the conviction that as long as a nation does the best for its own interests, and succeeds, the world admires it and thinks it moral. I am ready to die for what I have done, and I know that I shall die for it."

The suffering of which Talaat Pasha spoke so chillingly was all too evident to Trowbridge when he himself met the orphans of Antoura. Many had seen their parents murdered and their sisters raped. Levon, who came from Malgara, was driven from his home with his sisters aged 12 and 14. The girls were taken by Kurds – allied to the Turks – as "concubines" and the boy was tortured and starved, Trowbridge records. He was eventually forced by his captors into the Antoura orphanage.

Ten-year-old Takhouhi – her name means "queen" in Armenian and she was from a rich background – from Rodosto on the Sea of Marmara was put with her family on a freight train to Konia. Two of her two brothers died in the truck, both parents caught typhus – they died in the arms of Takhouhi and her oldest brother in Aleppo – and she was eventually taken from him by a Turkish officer, given the Muslim name of Muzeyyan and ended up in Antoura. When Trowbridge suggested that he would try to find someone in Rodosto and return her family's property to her, he said she replied: "I don't want any of those things if I cannot find my brother again." Her brother was later reported to have died in Damascus.

Trowbridge records many other tragedies from the children he found at Antoura, commenting acidly that Halide "and Djemal [sic] Pasha delighted in having their photographs taken on the steps of the orphanage ... posing as the leaders of Ottoman modernism. Did they realise what the outside world would think of those photographs?" According to Trowbridge's account, only 669 of the children finally survived, 456 of them Armenian, 184 of them Kurds, along with 29 Syrians. Talaat Pasha did indeed die for his sins. He was assassinated by an Armenian in Berlin in 1922 – his body was later returned to Turkey on the express orders of Adolf Hitler. Jemal Pasha was murdered in the Turkish town of Tiflis. Halide Edip Adivar lived in England until 1939 when she returned to Turkey, became a professor of English literature, was elected to the Turkish parliament and died in 1964 at the age of 80.

It was only in 1993 that the bones of the children were discovered, when the Lazarite Fathers dug the foundations for new classrooms. What was left of the remains were moved respectfully to the little cemetery where the college's priests lie buried and put in a single, deep grave. Kelechian helped me over a 5ft wall to look at this place of sadness, shaded by tall trees. Neither name-plate nor headstone marks their mass grave.

Halide Adivar, centre, with ?Turkified? children. Top: Jemal Pasha, front, who helped run the orphanage, with dignitaries. Above: Armenian boys, who would have been forced to live as Muslims. 


Fuente: The Independent - Robert Fisk: Living proof of the Armenian genocide

Acá la nota traducida al español
.
.
.